A Christmas Carol

Enjoy this holiday staple now with some knowledge of the strict discipline of Scots Calvinism and try appreciating Dickens, who published the story in 1843 amidst the economic and social turmoil of the industrial revolution in Britain, as something more than merely a good story-teller.

“What is true is that Christmas, more than any other holiday, offered a means for the adult Dickens to redeem the despair and terrors of his childhood. In 1824, after a series of financial embarrassments drove his family to exchange what he remembered as a pleasant country existence for a ‘mean, small tenement’ in London, the 12-year-old Dickens, his schooling interrupted — ended, for all he knew — was sent to work 10-hour days at a shoe blacking factory in a quixotic attempt to remedy his family’s insolvency. Not even a week later, his father was incarcerated in the infamous Marshalsea prison for a failure to pay a small debt of £40 to a baker. At this, Dickens’s ‘grief and humiliation’ overwhelmed him so thoroughly that it retained the power to overshadow his adult accomplishments, calling him to ‘wander desolately back’ to the scene of his mortification. And because Dickens’s tribulations were not particular to him but emblematic of the Industrial Revolution — armies of neglected, unschooled children forced into labor — the concerns that inform his fiction were shared by millions of potential readers. …
“Replacing the slippery Holy Ghost with anthropomorphized spirits, the infant Christ with a crippled child whose salvation waits on man’s — not God’s — generosity, Dickens laid claim to a religious festival, handing it over to the gathering forces of secular humanism. If a single night’s crash course in man’s power to redress his mistakes and redeem his future without appealing to an invisible and silent deity could rehabilitate even so apparently lost a cause as Ebenezer Scrooge, imagine what it might do for the rest of us!”by Kathryn Harrison, The New York Times Sunday Book Review, December 5, 2008[NO, you are not required to listen to ‘A Christmas Carol’ – but it’s a good thing to know for the sake cultural literacy.] And from pre-Revolutionary Russia: ‘The Insect’s Christmas’

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